Music is not just an expression of a musician's thoughts or ideas, but is also a reflection of his or her own contemporary social life. These thoughts and ideas are presented through Ragams and Talams which are the greatest contribution of Indian music to world music. It is based on these aspects that the core idea of every concert is built on. Thus is born, 'CARNATIC CHILLS', another thematic production.
The link between tradition and modernity comes when the sampradayam of music reflects itself through the modern vision of each musician. In our society, we generally see conflicting elements getting together almost like a confluence. It's like wearing a jibba with jeans or having idli-vadai-sambhar and pizza-noodles on the same day or may be talking Tanglish or having the wedding reception even before the marriage is solemnized. It's also like using the electronic tampura with the traditional tampura on the same stage.
It is interesting to note how yester-year musicians composed many melodies using traditional ragas combining adeptly the inspiration they got from listening to music from the west. This convergence is also visible in our ability to adapt and play western instruments like the violin, mandolin, saxophone, guitar and so on in a traditional carnatic music concert. And it is this capacity to blend disparate elements that prompted the duo Ganesh & Kumaresh to have the traditional Flute, Mridangam and the Ghatam on stage along with the Drums, the Keyboard and the Bass Guitar and of course, the VIOLINS.
Indian music, much like the broader cultural landscape of the subcontinent, embodies a rich tapestry woven from various influences and traditions. It is characterized by a remarkable ability to assimilate, re-invent, and confluence diverse elements from different cultures, reflecting the ethos of coexistence that has defined this region for centuries. This interconnectedness makes it challenging to define one’s identity in isolation; instead, our ‘self’ is profoundly shaped by our engagement with the ‘other.’
In the realm of music, this propensity for cross-culturalism manifests itself vividly. Throughout history, Indian musicians have embraced contrasts and confluences, creating a dynamic musical landscape that continually evolves. From classical forms to contemporary expressions, the interplay of different musical styles has always found a platform for expression in India. It is, therefore, no surprise that, in the modern era marked by Fusion and World Music, Indian musicians have discovered a natural niche where they can showcase their artistry and innovation.
Ganesh-Kumaresh, a prominent duo in the Indian classical music scene, exemplifies this spirit of fusion through their scintillating recitals. Their performances not only adhere to the intricate structures of Carnatic music but also incorporate Western musical elements, including strings, keyboards, and percussion. This blending of traditional and contemporary styles creates a unique auditory experience that transcends cultural boundaries.
Central to their performances is the theme of the nava rasas—the nine basic emotions articulated in Sanskrit. These rasas—shringara (love), hasya (laughter), karuna (compassion), raudra (anger), veera (courage), bhayanaka (fear), bibhatsa (disgust), adbhuta (wonder), and shanta (peace)—encompass the full spectrum of human emotions. Each piece performed by Ganesh-Kumaresh not only showcases the technical prowess of the musicians but also evokes deep emotional resonance, allowing the audience to connect with the music on a profound level.
In this album, Ganesh-Kumaresh present a unique thematic offering - Colors of India - with patriotic and deeply sensitive ideas and musical contours.
Gambhira: Set to raga Gambhira Nattai, it is a tribute to the majesty of our land, which enables us to declare - 'Sare jahan se Achcha, Hindustan Hamara.'
Utsav: 'Utsav' in raga Shuddha Dhanyasi is dedicated to the festivals of India.
Chanchal: Set in raga Ranjani, this piece explores the beautiful sparkle within the contrasting forces and energies that make up India.
Ahimsa: A prayer for peace, harmony, and happiness, dedicated by the artistes to the land of Ahimsa.
Taj Mahal: India has gifted the ultimate monument of love - the Taj Mahal. The composition, 'Taj Mahal,' set to raga Nalinakanti, is a tribute to the immortal love of all time.
Colors of India: The central theme of this presentation explores the brilliant diversity of India through the prism of its folk music traditions.
Aksharam embodies a profound exploration of rhythm, or laya, while also applying the same numerical values to the other three essential elements of classical Indian music: Raga, Bhakthi, and Sahitya. Together, these four facets form the foundation of a rich and intricate musical tradition that has captivated audiences for centuries.
The Four Elements of Classical Music
1.Raga:
At its core, Raga represents a framework of melodic structures that guide the improvisation and expression of music. It is built upon a series of swaras or musical notes, which are arranged in specific patterns to evoke distinct moods and emotions. Each raga has a unique identity, defined by its ascending and descending scales, characteristic phrases, and the emotions it seeks to evoke. In the context of Aksharam, the concept of numerical values can be applied to these swaras, creating a mathematical basis for their arrangement and interaction. This numerical representation emphasizes the balance and symmetry inherent in each raga, enriching its melodic beauty.
2.Tala:
Tala refers to the rhythmic cycle in Indian music, serving as the backbone that supports the melodic framework. It comprises a series of beats arranged in specific patterns, which dictate the structure of a musical performance. In Aksharam, the focus on laya involves recognizing the rhythmic precision and mathematical properties of the tala cycle. The interplay between the melodic and rhythmic elements creates a dynamic tension that propels the music forward, allowing musicians to explore improvisation while remaining anchored in the established rhythm. The use of numerical values in tala enhances the understanding of time signatures and rhythmic patterns, underscoring the integral role of mathematics in shaping musical expression.
3. Sahitya:
Sahitya encompasses the lyrical aspect of classical music, consisting of the words or poetry that accompany the melodic and rhythmic elements. These lyrics often convey profound spiritual, philosophical, or emotional themes, adding depth to the musical experience. In the Aksharam framework, the focus on numerical values extends to the words, where the syllabic structure and rhythmic patterns of the lyrics are carefully crafted to align with the tala. This synthesis of sahitya with raga and tala enhances the overall impact of the performance, allowing the audience to engage with the music not only on an auditory level but also through the meaning embedded in the lyrics.
4. Bhakthi:
Bhakthi, or devotion, plays a crucial role in classical Indian music, often expressed through devotional songs or bhajans. At the heart of this element lies the beeja mantra, a sacred sound or syllable believed to encapsulate mystical energy and spiritual significance. In the context of Aksharam, the beeja mantra serves as a powerful sonic structure that resonates with the core principles of mathematics and sound. The repetition and rhythmic chanting of these mantras create an immersive experience that elevates the listener’s spiritual awareness, connecting them to the divine. This aspect highlights the transformative power of sound, reinforcing the idea that music is not merely an art form but a vehicle for spiritual exploration.
Manoranjani is a captivating musical collection that serves as a garland of Ranjani ragas, showcasing the rich tapestry of emotions and melodies found within this distinctive family of ragas. The album features a selection of Ranjani-inspired compositions, including Manoranjani, Sriranjani, Janaranjani, Ranjani, Paamararanjani, and Karnaranjani. Each of these ragas offers a unique perspective on the concept of rasa, or emotional expression, contributing to the overall theme of relaxation and joy that the album aims to evoke.
The Essence of Ranjani Ragas
Ranjani ragas are characterized by their ability to elicit a range of emotions, making them particularly well-suited for both introspective listening and communal enjoyment. Each raga within the Manoranjani album reflects a distinct emotional landscape, allowing listeners to embark on a journey through various states of being.
1. Manoranjani: This raga, the namesake of the album, is known for its soothing qualities, inviting listeners to experience a sense of calm and tranquility. Its melodic structure creates a warm and inviting atmosphere, perfect for relaxation.
2. Sriranjani: A variant that brings forth a slightly more poignant feel, Sriranjani enhances the emotional depth of the album. Its delicate interplay of notes evokes feelings of nostalgia and longing, resonating with listeners on a profound level.
3. Janaranjani: This raga captures the essence of human experiences, celebrating the vibrancy of life. Its lively and dynamic melodies uplift the spirit, inviting listeners to embrace joy and positivity.
4. Ranjani: The eponymous raga epitomizes the playful and flirtatious aspects of love and relationships. Its expressive phrases evoke a sense of intimacy and connection, enriching the overall experience of the album.
5. Paamararanjani: This raga explores themes of devotion and spiritual yearning. Its evocative melodies transport listeners to a contemplative space, allowing for introspection and reflection.
6. Karnaranjani: A raga that embodies the beauty of nature and the divine, Karnaranjani weaves together lush melodic lines that inspire feelings of serenity and awe.
Expression, or "Bhavam," is essential in music and is akin to the lifeblood of any musical piece.
Bhavam is twofold: musical expression through technique and emotional expression from the heart. Both contribute to the depth of a musical performance.
Techniques and traditions vary, but the essence of musical expression—gamakas—forms the core of this album.
Shadjam is a pivotal concept in Indian classical music, serving as the tonic note or the fundamental pitch from which all other notes are derived. This note is crucial for establishing the framework of any musical performance. Musicians have the flexibility to adjust the pitch according to their instruments and personal preferences, allowing for a rich tapestry of sound that reflects individual artistry.
Graha Bedam: A Unique Exploration of Ragas
The album Graha Bedam is a fascinating exploration of ragas, where musicians skillfully transition between different ragas without altering the sruti or pitch. This technique not only showcases their technical mastery but also invites listeners to experience familiar ragas in innovative ways. By maintaining the same tonic note while shifting between ragas, the musicians delve into new dimensions of sound and emotion, presenting a refreshing perspective on traditional compositions.
The Interplay of Ragas
Within the Graha Bedam album, various ragas such as Kalyani, Hari Kambodhi, Sahana, and others are intricately interwoven. Each raga carries its unique emotional character, and the seamless transitions between them create a dynamic listening experience.
1. Kalyani: Known for its auspiciousness, Kalyani evokes feelings of devotion and joy. Its bright and uplifting melodies provide a beautiful counterpoint to the more introspective ragas featured in the album.
2. Hari Kambodhi: This raga embodies a sense of serenity and introspection. Its deep emotional resonance invites listeners to reflect and connect with their inner selves, serving as a poignant transition in the album’s flow.
3. Sahana: Characterized by its lyrical beauty, Sahana expresses themes of longing and love. The interplay of its melodic lines with other ragas enhances the emotional depth of the overall composition, allowing listeners to immerse themselves in a rich narrative.